Coffee Rings Everywhere
Monday, July 20, 2026
How H-CITI Will Destroy The Hydrological Structure Of KBR Nat’nl Park
Hyderabad Is Caught In A Groundwater Crisis
Mere Survival is Enough
Who has the right to Public Spaces?
Wednesday, June 17, 2026
Do Names Really Matter?
“Ships that pass in the night, and speak each other in passing.”
- H. W. Longfellow
She glanced at her watch, looked at the restive crowd and shifted uncomfortably in her seat. Her flight should have taken off six hours back- who knew when it would finally take off, if it took off. She longed to get up, stretch her legs and loosen the knots in her back. But she dare not even think about it; if she did, her seat would be taken. She sighed and opened candy crush- anything to keep her mind off this senseless delay.
The lady seated next to her looked up. They exchanged looks, then a tentative smile. “How long do you think we will be here?”, the lady asked. She shrugged, “I hope not forever.”
“I know, right! It is so frustrating, this not knowing. I am traveling to Kolkata for my cousin sister’s wedding. If my flight is cancelled, I will just go back home. But they keep rescheduling and I keep hoping I will make it.”
“When is the wedding?”
“The wedding is on Saturday, but I want to spend some time with Ma, and also go shopping. I don’t even have matching petticoats for all my sarees.”
The two women exchanged wry glances. “Matching petticoats! I stopped wearing matching petticoats after I moved out of Calcutta. Now I make do with a black and a white!”
Her eyes opened wide in surprise. “Really! I can’t even think of not wearing matching petticoats. But did you also live in Kolkatta.”
“Yes, for thirteen years.”
“You aren’t a Bengali, are you?”
“No, I am not. But I did my high school and undergrad in Calcutta, so consider myself an honorary Bong.”
“Where did you stay?”
“Near Gariahat. You?”
“Me too. I lived near Gariahat too.”
“I spent hours in Gariahat. The second-hand book shops. The books you got there!”
“Yes, and the puchka guy in the corner near the second hand book stalls. The way he customised the filling just for you and never made a mistake.”
“And the aloo dum vendor at Gol Park. Is he still there?”
“I preferred the luchi aloo dum from the misti dukan at Gol Park.”
“Yes, divine. And all those block printing stalls where you could get anything printed exactly like you wanted.”
“Seriously! When people talk so much about customisation, I want to tell them how we designed every part of our wardrobe.”
“And got matching earrings for every outfit.”
The two women sighed, united as only memories can unite.
“Remember the little shop near Dover Lane where you got Archies cards.”
“Yes. Yes. Yes. I spent so many hours there going through all the cards to pick the perfect one for my friends.”
Hours would pass. The tsunami of memories would show no sign of abating. When their flights were finally called, they would both go their separate ways. Before saying goodbye, they would exchange Instagram handles. Only after sinking into their seats would they look at the name of the person they had been chatting with for yours. Do names really matter when you have memories in common?
[This work of fiction is written for Reubenna Dutta as a part of the end of the year ‘Gift a Story’ activity initiated by Suchita Agarwal. The volunteers were paired up, and encouraged to get to know each other better with the objective of penning a ‘gift’ for them.]
Grief
~Grief~
You feel rather than see something dart into the ixora bush. You look closer and spot a munia. No, a pair of munias. What are two munias doing there? Are they planning to build a nest? Your father would love to know about them. You want to call and tell him. But he is no longer here; hasn’t been for nearly two decades. Grief overwhelms you. You can barely function for the next few hours.
They tell you that time heals. That grief goes away. They lie.
Grief never goes away. Time doesn’t heal. All that happens is that you grow around the grief. You learn to copy. You learn to tuck away your memories in that closed room you barely enter. But sometimes, when you are least expecting it, the winds blows the door open and the memories come tumbling out. You are overcome with grief. All over again.
You wish that someday grief would leave you. But do you really wish that? Because what is grief if not the other side of love? You can only grieve someone who you have loved fiercely, and that love is always worthwhile.
Keep those you have loved close to your heart. Remember them. Grieve them. Let yourself be engulfed in sadness. They are you, you are them.
And perhaps someday someone will grieve you too.
For I am grief, and grief is you.
[Modified from a letter that Grief wrote to me as a part of a eleven day letter writing challenge.]
“More than just a cross between a classic whodunnit and a Gothic novel”
[A review of ‘The Scratch and Sniff Chronicles’ by Hemangini Dutt Majumder]
‘The Scratch and Sniff Chronicles’ set in Neelbari, a crumbling mansion in Chandannagar. Basanti Chattergé (better known as Fishy), a top lawyer in Kolkata, has just won a protracted battle over her stepmother for control of the ancestral property, and has decided to relocate with her adopted daughter Laura, her niece Ollie and their cat Habey. Neither of the younger Chattergé women particularly wants to move out of the city, yet when strange and seemingly supernatural things start happening in the mansion, they dismiss the idea that the mansion is haunted by the ghost of their grandmother and resolve to get to the bottom of it.
The book is marketed as a cross between a classic whodunnit and a Gothic novel, but it is more than just that. The book paints a portrait of an upper caste, cultured Bengali family, filled all their attendant eccentricities. Even the family surname would sound pretentious to an outsider- Chattergé is a nod to the close multi-generational ties which the family had to France. Daknams (or nicknames) are common among Bengalis of a certain class, but these women have interesting names too- Ollie for instance is Olympia, so named “on her aunt’s suggestion. The inspiration was Edouard Manet’s Olympia, the controversial painting of a nude woman painting to look directly into the viewer’s eyes instead of coyly averting her gaze (as was the practice at the time).” Fishy’s stepmother was named Latika, but chose to call herself ‘Labanga Latika’ after the famous Bengali mishti!
Ollie has an uncanny sense of smell (which serves her well in her profession as a sommelier and beverage consultant because she can sniff out and create complex flavour profiles), and the narrative is punctuated by her olfactory observations. “Tiger Balm. Hibiscus hair oil. Shalimar perfume. Cigar.”, for instance, announces the presence of Fishy. These smell profiles not only add an unusual depth to the characterisations, they often also serve as a detective tool.
The book may be a cosy mystery set in a quaint household, but it tackles a topic that most authors shy away from. Ollie suffers from POCS, and she is subject to the same indifference and lack of empathy from the medical community as almost all other women with a similar condition are. Ollie, like thousands of other young women, had been repeatedly told by doctors that her menstrual problems will eventually right themselves and that in the meantime she should lose weight and adopt a different diet. While talking about this in a book may not itself lead to a change of attitude, it will at least give women who go through this every month feel seen.
The book is also unusual in the choice of narrator. For the first couple of chapters, you are left guessing the identity of the almost omnipresent narrator, but once you know who it is, you start to appreciate the tone of concern and sarcasm she employs. The pace of the book is slow, and it could potentially get exasperating if you are expecting a whodunnit. But if, you allow yourself to read it as a comedy of manners, the book will grow on you.
If you are looking for the gentle humour of a PG Wodehouse, set in modern day West Bengal, with a cast of quirky and formidable women and detailed descriptions of scrumptious meals, look no further than this. You will not be disappointed.
[I received a review copy of the book, and the views are my own.]

